After twenty years, Roman Ondak invites us to experience a reinstallation of his cult work SK Parking, a constellation of seven Škoda cars parked in a dead-end street beside Kunsthalle Bratislava. He invites us to think about the questions: in what way is this work, and on this very street, still topical today? Is there actually a still-existing abyss between East and West, which continues to remain a component of our geographical space; or ultimately, in fact, does it mirror the state of the building in front of which the work appears, and indeed of certain institutions within it?
